Pro Color Grading In Your Browser — Wheels, Curves, Scopes
Shape mood with cinema-grade color tools. Lift, gamma, and gain wheels, RGB curves, vectorscope, waveform, and parade — all running locally in your browser.
What it is and why it matters
Color grading is what separates footage that looks recorded from footage that feels finished. Skrrol AI brings the same primary and secondary correction workflow you'd expect from a professional desktop suite directly into the browser, with no plugin install, no project upload, and no waiting on a render farm. Every adjustment is GPU-accelerated and previewed in real time on your timeline, so you can shape contrast, lift shadows, push midtones, and finesse highlight rolloff while watching the result update at full quality.
The grading panel is built around the muscle memory colorists already have. Three trackball wheels handle lift, gamma, and gain. RGB curves let you sculpt tonal response per channel. Vectorscope, waveform, and RGB parade scopes give you objective targets so skin tones land in the safe zone and whites stay neutral. Power windows isolate regions for secondary work, and the node-style stack means you can layer corrections, mute them, and reorder operations the way real pipelines do. Editors, colorists, and creators who care about getting their footage to the right look — not just close — use grading to deliver work that holds up next to broadcast and theatrical references.
How it works
- 1
Open the Color panel
Select any video clip on the timeline and press the Color tab in the inspector. The grading workspace slides in with wheels, curves, and scopes docked in one view.
- 2
Set your base exposure with wheels
Drag the lift wheel to lift or crush blacks, gamma to balance midtones, and gain to set highlights. The luminance ring under each wheel handles tonal range without shifting hue.
- 3
Refine tonal response with RGB curves
Add control points to the master and per-channel curves to fix color casts, recover blown highlights, or push a teal-and-orange split between shadows and skin.
- 4
Watch the scopes
Use the waveform to keep luma between broadcast-safe IRE values, the vectorscope to land skin tones on the flesh-tone line, and the parade to balance R, G, and B channels.
- 5
Stack secondary corrections
Add a second grade node, draw a power window, and adjust only the area inside — perfect for darkening a sky, warming a face, or muting a distracting brand color.
- 6
Save the look as a preset
Lock the grade in as a custom preset and apply it to other clips with one click, or export it as a .cube LUT to share with collaborators.
Benefits
Cinema-grade tools
Wheels, curves, scopes, and secondary windows — the same controls professional colorists use, with no plugin install.
GPU-accelerated preview
Adjustments render live on the timeline at full quality so you grade against the real frame, not a proxy.
Local-first, private
Source media stays on your device. No upload to a Skrrol server, no privacy compromise, no upload wait.
Reusable looks
Save grades as project presets or export them as .cube LUTs to reuse across projects and share with your team.
Who uses it
Filmmakers and shorts directors
Match shots, set a tonal palette, and deliver a finished look without round-tripping to a separate color suite.
YouTube creators
Lift dim camera footage, balance white whites, and lock a recognizable channel look into a reusable preset.
Wedding and event editors
Warm skin tones, soften harsh venue lighting, and produce a romantic palette consistent across an entire ceremony cut.
Music video editors
Push bold creative grades — split-tone teal-and-orange, neon-soaked nightlife, gritty desaturated grunge — without leaving the browser.
Agency colorists
Deliver client-ready grades with scopes-validated luma and chroma so the spot passes broadcast QC the first time.
Frequently asked questions
Do I need to upload my footage to grade it?
No. Skrrol AI runs entirely in your browser. Source media stays in your device's local storage and is never uploaded for grading.
Can I import LUTs I already own?
Yes. Drop any standard .cube LUT into the LUT panel and apply it as a base grade, then layer secondary wheels and curves on top.
Does the color grade survive export?
Yes. Grades are baked into the rendered MP4, WebM, MOV, or image output. There's no separate render queue — it's all part of the normal export.
Can I copy a grade from one clip to another?
Right-click a graded clip, choose Copy Grade, then Paste Grade onto any other clip. You can also save it as a project preset for one-click reuse.
Will my browser handle 4K grading?
Modern Chrome, Edge, and Safari builds run 4K grading smoothly on most laptops thanks to GPU acceleration. For older machines, drop the preview to half quality and final-render at full.
Are scopes broadcast-accurate?
The waveform reports IRE values, the vectorscope marks the standard skin-tone line and the 75 percent saturation reticle, and the parade uses standard 0 to 100 IRE scaling.
Related editor features
LUT Color Presets — Cinematic Looks In One Click
Load any standard .cube LUT and apply cinematic looks in one click. Intensity slider, stack with manual grades, and save your own as exportable LUTs.
HSL Color — Per-Band Hue, Saturation, Luminance
Shift hue, saturation, and luminance independently for each color band. Mute one color, push another, refine skin tones — surgical secondary correction in the browser.
White Balance — Fix Color Temperature In Seconds
Correct color temperature with temperature and tint sliders, or click a white pixel with the eyedropper for instant neutral whites across any clip.
Chroma Key — Green Screen Removal With Spill Control
Pull clean keys on green and blue screen footage right in your browser. Tolerance, edge feather, spill suppression, and matte preview built in.
Try it in the Skrrol AI editor
Skrrol is a browser-native video studio. Open the editor in your browser, drop in your media, and use this feature alongside the rest of the timeline. Free, no install, your files stay on your device.